Using a custom-made kit composed of cast-off relics of the Tape Age (foremost among them his trusty modified Fostex analogue multi-tracker) and surrounded by piles of cassettes, Rrill Bell assembles complex abstract emotive tone poems on the fly, one re-contextualized fragment at a time, drawing from the formative inspirations of radical scratch culture, Cagean thought, early tape music, musique concrete and various strains of free music practice. The countless hours of obsessive experimentation that Rrill Bell has dubbed to tape over the course of nearly two decades serve as the underlying otherworld behind his performances, ad hoc installations and recorded artifacts. His freeform, improvised sets combine chance practices and new skillz in a deep, essentially duo-like dialogue with the tightly-wound material as continually re-examined from different angles.
Download press photo here (by Dagny Kleber)
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